Goli Mask

Elegance and grace distinguish this imposing design by Victoria Agyepomaa. Carved by hand of sese wood, it depicts a serene personage with symmetrical features, a wide forehead and neatly combed hair. She names this original African mask Klenam, meaning "shine for me" in the language of Ghana's Ewe people.

Sculpture of the female face of Monoxyle with a sculpted figurine depicting a person or dignitary king. He dances with the help of a man when the mask Gyela (daughter of Gu and Zamble) appears The assistant raised his cloak. Polished color. crack. bruises. Among the Mande groups from the south, in central Côte d'Ivoire, on the banks of the Bandama, Organized into bloodlines, Gouro forms the western neighbor of Baoulé Who Several features are borrowed from their work. They have been in use since the 1950s The masks associated with the Zaouli dance refer to the genius of nature and come in two animal forms After the mask is a third personification, believed to be the wife of the Zamblé mask, Gu. Gu or Lu represents a young woman with beauty standards specific to Guro Especially facial scars and files. According to the authors Fisher and Humberg in "Art's Côte d'Ivoire", which was abandoned once the mask appeared to no longer be of public interest new copy

Guro masks are dancing masks, and their masquerade is well known in West African villages. They are used for entertainment and to represent social roles. Male dancers don masks and dance competitions are held between neighboring villages.

This African mask, which creatively combines elements of different animal forms, may be one of entertainment mask. His winged face is reminiscent of a half-breed, half-animal, half-human, a soul nature. Colorful paint. Beneath the Mande group in the south, central Côte d'Ivoire, on the banks of the Bandama River, Gourou are organized by descent, the western neighbors of Baoulé, who have borrowed a few Characteristic of their African tribal artistic creation. Animists who have used home since the 1950s A mask related to the early departure dance. Indeed like Baule's African Goli mask, the Guro suit The masks associated with the genius of nature have two morphing masks, followed by a third The personification is believed to be the woman in the Zamblé mask, Gu. these masks are The property of the family that enshrines ancestors, which they use for ceremonial and sacrificial purposes to attract divine blessings. Priests and soothsayers share major ceremonial functions across ethnic groups The Guro secret society worships the gods of nature through the masks where the gods are should live. Their patron saint, Zuzu, is enshrined in the statue altar. Les masques gu, Gye et Dye, aux mains de notables, ne Sont Exhibition qu'au cours de funérailles Force Majeure ou l'intronisation d'un chef (Kerchache)